why urban history matters

Going forward, let’s not discount the influence of history’s recurring themes in how we redevelop the urban realm.

Edinburgh_ChuckWolfe10

So many discussions about cities today look only forward, without fully considering the past.  We presume ways of life that must change for the better:  Greener, more inclusive and shareable;  global in orientation; away from land use regulations that favor separation of uses, and towards healthier, less auto-dependent realms.

I do not believe for a moment that urban change is so simple.  Without a longer view, we risk undervaluing lessons learned long ago.

Height, density, use/control of land and public health in urban settings have evolved for a very long time.  We can build on this urban history of reinvention and renewal and think more universally about how past, present and future define urban development.

Last week, I went to Edinburgh, Scotland to see why this urban history matters.

What is the value of historical perspective, particularly in the world heritage areas of central Edinburgh? Such focus goes far beyond common “brick and mortar” examples, such as castle ruins, statues of architect Robert Adam and William Wallace (Braveheart), a tower honoring author Walter Scott or St. Giles Cathedral.

Edinburgh_ChuckWolfe04

Rather, as urban thinkers such as Sir Patrick Geddes once stressed, the real emphasis is on the power of continuous human settlement—and inspiration gleaned from a dynamic city over time.

The humble acceptance of the long-term reminds us, according to the Scottish architectural historian Miles Glendinning, that change is a constant, and that specific themes of long-term habitation can create broader ways of understanding the cyclical nature of urban reinvention.

We know that rediscovery of the inner city is the raison d’être of many urban-dwellers today, and that dense urban cores are both increasing lifestyle choices and economic drivers from the regional to international levels.  We now tend to disfavor sprawl as a solution to overcrowded conditions, and stress instead old standby’s of increased height, cooperative living spaces and smaller dwellings.

But places like Edinburgh’s world heritage areas show that our current ability to meet these goals safely is reflective of lessons learned long ago, when overpopulated and unsanitary conditions within city walls eventually inspired new understandings of urban disease control.  Within medieval Edinburgh, buildings as high as 11-15 stories once flanked the High Street (Royal Mile) as it crossed in linear fashion from Edinburgh Castle to Hollyrood Palace.

The upper classes lived on upper floors.  The poor lived below.  Waste disposal competed with walking and commerce in the closes, wynds (alleys in today’s parlance) and courtyards of old, as sewerage found its way to the small lake (the Nor’ Loch) then flanking the city’s northern boundary.

Later, wider streets cut into former closes and wynds, while others remained intact.  Such early governmental interventions brought light and air to former “high rises” and underground dwellings, and the eventual transition of the polluted Nor’ Loch to gardens at the base of the Old Town.

Edinburgh_ChuckWolfe08

Today, Edinburgh’s Old Town is part tourist, part retrofit.  The medieval shell survives, but living conditions are now consistent with a modern age. Historic venues such as the Royal Mile have new roles, and captivating visuals such as the bend in West Bow Street replace the rudiments of life within the walls with the trends of today.

What lessons emerge from buried, medieval closes and formerly inhabited, forgotten building vaults of the Old Town?

RealMaryKing'sClose
Credit: The Real Mary King’s Close, Edinburgh

In a tour of remaining portions of several abandoned underground medieval closes covered by building foundations since the 18th century, I saw eerie parallels to today’s reinvented urban alleys and laneways, apodments and live-work dwellings—the medieval spaces evolved without the banner of pestilence—back to the future, with modern gloss.

Similarly, it was not hard to see how today’s urban redevelopers can repopulate the shells of the past when opportunity strikes in a more modern form of infill.  In 2002, a fire destroyed a group of Old Town tenements (termed a “rabbit warren” by firefighters) next to the historic Cowgate area.  Edinburgh-based Whiteburn worked with planners, heritage groups and the community to assemble eight formerly disparate properties and redevelop the area into a mixed use venue including a new hotel and grocery store.

And what of the neoclassical New Town, the city planning marvel centered around stately squares and avenues, authored by competition winner James Craig in 1766-67?  The planned New Town was nothing short of a period-piece, stately reinvention of the original urban core, which quickly became a residence for the wealthy, and provided gateway to later expansion as the city grew.  Now a commercial hub at the base of the Old Town, it largely retains the Georgian grandeur of its original design.

Edinburgh_ChuckWolfe09

My sense of the New Town’s legacy?

Its physical form provides testament to the power of interventionist planning when a municipality has a broad swath of land assembled for a common purpose. In this case, Scotland’s unification/military peace with England tendered the Old Town’s walls irrelevant after the mid-18th century, and an earlier royal grant had made the land available.

Today’s Edinburgh still benefits from the wide spaces of Craig’s plan, which so profoundly contrasts with the tight scale and former living conditions of the Old Town above.

***

In the end, the historical perspective presented here raises interesting questions about the nature of urban change, and how a global economy integrates with an evolving urban artifact.  In Edinburgh, integrity issues began long ago, and continue, with classic historic preservation debates along the Royal Mile and the construction of the controversial Scottish Parliament on the site of the old Hollyrood Brewery —not to mention railroad incursions of the nineteenth century and much-debated urban malls in the New Town.

But to an American observer from Seattle, one hometown image—the Starbucks logo—particularly stands out.   In the photograph below, storied history and modern lifestyle communicate their “age value” to one another from a vaunted wide avenue of the New Town.  Looking up from the New Town’s George Street, midway between St. Andrews and Charlotte Squares, medieval past and global future speak to their uniting element: human ingenuity and reinvention, across the ages.

Edinburgh_ChuckWolfe02

Images composed by the author in Edinburgh, Scotland, with the exception of the photograph of Mary King’s Close, obtained from a distributed photograph by The Real Mary King’s Close, Edinburgh. Click on the images for more detail. © 2009-2014 myurbanistAll Rights Reserved. Do not copy.

For more information on the role of personal experience in understanding the changing city, see Urbanism Without Effort, an e-book from Island Press.

Seattle’s Super Bowl parade and placemaking lessons learned

Parade_ChuckWolfe1

Professional efforts to create great urban places have a lot to learn from unifying regional events that cut across silos of culture, age, income, or neighborhood. Such events need not be limited to rebuilding after a superstorm or earthquake—they can be as simple and spontaneous as one city’s celebration of its first-ever Super Bowl championship.
…….

Today’s post continues as an exclusive entry on The Atlantic Cities. For the remainder, click here.

For more information on the role of personal experience in understanding the changing city, see Urbanism Without Effortan e-book from Island Press.

Image composed by the author in Seattle.

how attention to overlays enhances our understanding of cities

Second in the new series, in the urban world, juxtapositions matter

UrbJuxta2_ChuckWolfe

On New Year’s Day, I suggested that juxtapositions, or overlays, are key to an understanding of cities, and offer focal points for discussion and resolution. The first example was of a physical juxtaposition that evoked the classic contrasts of old and new, nature and the built environment and natural and artificial light.

Today’s example bridges other urban qualities.

The photograph above is an intentional contrast of a static place and movements of both bus and musician. It also shows the common incursion of simple commerce in a public place—a subject of evolving regulatory focus in American cities—and an overlap that we should approach with a catalog of such imagery in mind.

Finally, the photograph suggests once again that the core of urban understanding is often in the small vignettes we all experience everyday—which, as I have often written, supply the basis for our own perspectives about city life.

Image composed by the author in Seattle. Click on the image for more detail. © 2009-2014 myurbanistAll Rights Reserved. Do not copy.

For more information on the role of personal experience in understanding the changing city, see Urbanism Without Effortan e-book from Island Press.

finding urban ‘tethers’ in city places

Tether3 ChuckWolfe

In London’s Russell Square one recent morning, I saw the human-scale “tether” illustrated above. Whether for safety or togetherness, parent and child traversed the square, each with strap in hand.

“Is this a cultural thing?”, I wondered while watching. Or was this just big-city caution on display, during travel from here to there?

In contrast, just days before, in Bastia, on the French island of Corsica, a more removed and indirect “tether” was clearly at play. In the wide-open Place Saint-Nicolas, two boys, seemingly alone, consulted without fear.

Unlike the Russell Square example,  the physical distance between parent and child in Bastia seemed surprisingly trusting, fully immersed in the surrounding urban environment.

Tether1_ChuckWolfe

In the tradition of the open square, “eyes on the street” were everywhere in Bastia. If Russell Square was a path across green, then Place Saint-Nicolas was stage without curtain.

The inset in the photo above (as well as the larger photo below) show aerial views of the square, with arrows depicting viewpoints of parents who elected the more permissive, visual “tether” on that late summer day.

Notably. the flanking cafés along Boulevard du Général de Gaulle enhanced this captive, stage effect.  The outcome honored any urbanist’s nostalgic quest for a livable public place. In the Place Saint-Nicolas, the  view from its many vantage points stood in for the physical “tether” in the London example.

Tether2_ChuckWolfe

These photos and Google Earth aerials illustrate how culture, weather, purpose and urban form combine to define particular  “tethers” between parent and child in the city.  Sometimes literal and sometimes more subtle, such relationships are key to the rhythm of urban places today.

Images composed by the author in London and in Bastia (Corsica), France. Overhead views courtesy of Google Earth. Click on each image for more detail. © 2009-2013 myurbanistAll Rights Reserved. Do not copy.

For more information on the role of personal experience in understanding the changing city, see Urbanism Without Effort, an e-book from Island Press.

how places survive, the movie idea

Earlier this week, in “contrasting two models of how places survive“, I compared two ways town forms can survive—by idea and in actual physical form—and underscored  the truly critical ingredient, the people.

If that post (which also appeared in The Huffington Post, here) could be put to film, the trailer would look something like the recently updated, embedded video below.

Perhaps it’s time to take the idea to fruition, and produce the real thing.

Video composed by the author in Eastern Connecticut. Click on the image for more detail. © 2009-2013 myurbanist. All Rights Reserved. Do not copy.

For more information on the role of personal experience in understanding the changing city, see Urbanism Without Effortan e-book from Island Press.