why urban history [still] matters

[Republished five years after original posting, upon today’s visit to Edinburgh from London. This post was named The Guardian Cities‘ web article of the week in early March, 2014.]

Going forward, let’s not discount the influence of history’s recurring themes in how we redevelop the urban realm.

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So many discussions about cities today look only forward, without fully considering the past.  We presume ways of life that must change for the better:  Greener, more inclusive and shareable;  global in orientation; away from land use regulations that favor separation of uses, and towards healthier, less auto-dependent realms.

I do not believe for a moment that urban change is so simple.  Without a longer view, we risk undervaluing lessons learned long ago.

Height, density, use/control of land and public health in urban settings have evolved for a very long time.  We can build on this urban history of reinvention and renewal and think more universally about how past, present and future define urban development.

Last week, I went to Edinburgh, Scotland to see why this urban history matters.

What is the value of historical perspective, particularly in the world heritage areas of central Edinburgh? Such focus goes far beyond common “brick and mortar” examples, such as castle ruins, statues of architect Robert Adam and William Wallace (Braveheart), a tower honoring author Walter Scott or St. Giles Cathedral.

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Rather, as urban thinkers such as Sir Patrick Geddes once stressed, the real emphasis is on the power of continuous human settlement—and inspiration gleaned from a dynamic city over time.

The humble acceptance of the long-term reminds us, according to the Scottish architectural historian Miles Glendinning, that change is a constant, and that specific themes of long-term habitation can create broader ways of understanding the cyclical nature of urban reinvention.

We know that rediscovery of the inner city is the raison d’être of many urban-dwellers today, and that dense urban cores are both increasing lifestyle choices and economic drivers from the regional to international levels.  We now tend to disfavor sprawl as a solution to overcrowded conditions, and stress instead old standby’s of increased height, cooperative living spaces and smaller dwellings.

But places like Edinburgh’s world heritage areas show that our current ability to meet these goals safely is reflective of lessons learned long ago, when overpopulated and unsanitary conditions within city walls eventually inspired new understandings of urban disease control.  Within medieval Edinburgh, buildings as high as 11-15 stories once flanked the High Street (Royal Mile) as it crossed in linear fashion from Edinburgh Castle to Hollyrood Palace.

The upper classes lived on upper floors.  The poor lived below.  Waste disposal competed with walking and commerce in the closes, wynds (alleys in today’s parlance) and courtyards of old, as sewerage found its way to the small lake (the Nor’ Loch) then flanking the city’s northern boundary.

Later, wider streets cut into former closes and wynds, while others remained intact.  Such early governmental interventions brought light and air to former “high rises” and underground dwellings, and the eventual transition of the polluted Nor’ Loch to gardens at the base of the Old Town.

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Today, Edinburgh’s Old Town is part tourist, part retrofit.  The medieval shell survives, but living conditions are now consistent with a modern age. Historic venues such as the Royal Mile have new roles, and captivating visuals such as the bend in West Bow Street replace the rudiments of life within the walls with the trends of today.

What lessons emerge from buried, medieval closes and formerly inhabited, forgotten building vaults of the Old Town?

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Credit: The Real Mary King’s Close, Edinburgh

In a tour of remaining portions of several abandoned underground medieval closes covered by building foundations since the 18th century, I saw eerie parallels to today’s reinvented urban alleys and laneways, apodments and live-work dwellings—the medieval spaces evolved without the banner of pestilence—back to the future, with modern gloss.

Similarly, it was not hard to see how today’s urban redevelopers can repopulate the shells of the past when opportunity strikes in a more modern form of infill.  In 2002, a fire destroyed a group of Old Town tenements (termed a “rabbit warren” by firefighters) next to the historic Cowgate area.  Edinburgh-based Whiteburn worked with planners, heritage groups and the community to assemble eight formerly disparate properties and redevelop the area into a mixed use venue including a new hotel and grocery store.

And what of the neoclassical New Town, the city planning marvel centered around stately squares and avenues, authored by competition winner James Craig in 1766-67?  The planned New Town was nothing short of a period-piece, stately reinvention of the original urban core, which quickly became a residence for the wealthy, and provided gateway to later expansion as the city grew.  Now a commercial hub at the base of the Old Town, it largely retains the Georgian grandeur of its original design.

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My sense of the New Town’s legacy?

Its physical form provides testament to the power of interventionist planning when a municipality has a broad swath of land assembled for a common purpose. In this case, Scotland’s unification/military peace with England tendered the Old Town’s walls irrelevant after the mid-18th century, and an earlier royal grant had made the land available.

Today’s Edinburgh still benefits from the wide spaces of Craig’s plan, which so profoundly contrasts with the tight scale and former living conditions of the Old Town above.

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In the end, the historical perspective presented here raises interesting questions about the nature of urban change, and how a global economy integrates with an evolving urban artifact.  In Edinburgh, integrity issues began long ago, and continue, with classic historic preservation debates along the Royal Mile and the construction of the controversial Scottish Parliament on the site of the old Hollyrood Brewery —not to mention railroad incursions of the nineteenth century and much-debated urban malls in the New Town.

But to an American observer from Seattle, one hometown image—the Starbucks logo—particularly stands out.   In the photograph below, storied history and modern lifestyle communicate their “age value” to one another from a vaunted wide avenue of the New Town.  Looking up from the New Town’s George Street, midway between St. Andrews and Charlotte Squares, medieval past and global future speak to their uniting element: human ingenuity and reinvention, across the ages.

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Images composed by the author in Edinburgh, Scotland, with the exception of the photograph of Mary King’s Close, obtained from a distributed photograph by The Real Mary King’s Close, Edinburgh. Click on the images for more detail. © 2009-2019 myurbanistAll Rights Reserved. Do not copy.

For more information on the role of personal experience in understanding the changing city, see Seeing the Better City and Urbanism Without Effort, from Island Press.

An Expatriate’s Primer on an Urban View

In Gordon Cullen’s epic early-1960s work, The Concise Townscape, he described the visual experience of townscape views through an emphasis on “serial vision,” and on present and emerging views that become revelation while moving from place to place. More than Edmund Bacon, who focused his Design of Cities on similar experiential aspects framed by the built environment, Cullen provided extensive typologies of architecture and street patterns through photographic example, concentrating on the experience of moving from place to place.

For Cullen, passing through the built environment was full of tensions, delight, drama, and contrasts, specifically, the “drama of juxtapositions.” In my book, Seeing the Better City, I also arrived at the same term, juxtapositions, and, since I moved to the United Kingdom early this year, I see juxtapositions as an even more essential element of  urban observation.

For many years, my urban exploration has stressed an experiential approach to urban juxtapositions, overlaps, intersections, and all the other descriptors applicable to urban life. I like to say that it’s a gut-level, observational process, which every one of us has the means to carry out.

I have thought a lot about such juxtapositions, and why they are points of context and focus—catalysts for today’s urban dialogues. In the United States, I became used to these observed overlays forcing contentious discussions about sudden and gradual change, generational differences, public and private preferences, mergers of cultures and business types, and mixing of land uses, transportation modes, and housing approaches.

Notice a juxtaposition, I would routinely say in Seattle, and see debates about use of a place, flashpoints, and ripples in time—all of which are apparent in the spaces and human expressions of everyday life.

In the United Kingdom, I’ve had a different sense, one much more influenced by the backdrop of history that often frames an observed setting.  Here, while crossing the Richmond Bridge in the London Borough of Richmond upon Thames, we see the intensity of experience resulting from multi-colored  boats in the Thames River, the backdrop of weather, and a time-honored riverfront redeveloped with offices and commercial spaces oriented toward the river view.

Notice how the juxtapositions in these photographs embrace the assets of a place; the power of the images stems from the combination of its subjects, not any one part. The urban observer finds value in the overlaps and blending of boats, sky, and historic setting that create an inspirational experience, over and above viewing each overlapping element individually.

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This entry is adapted from Seeing the Better City (Washington, DC: Island Press, 2017). Photos in Richmond upon Thames by the author.

‘seeing the better city’ now available

Seeing the Better City is now available.

The book highlights and celebrates the role of human observation in capturing a greater diversity of perspectives to create better, more equitable cities. The book presents  a comprehensive toolkit for cataloging the influences of day-to-day life in a city, and gives examples of practical tools that can help make city planning and design more inclusive, including the role of cameras, smartphones and sketchpads. From city-dwellers to developers to elected officials, the book is an invaluable tool for constructive, creative discourse about creating better neighborhoods.

For those in the Seattle area, Chuck Wolfe continues to share the ideas in this book at a number of events, including a February 28 Urban Land Institute live interview based on a January 27 Puget Sound Business Journal article.

In addition to the Island Press book page, you can get updates and article links about the book and scheduled events, as well as view a “book trailer” video at www.seeingthebettercity.com.

The book is available from Island Press, with a 20% discount by entering the code 4WOLFE. You can also order it from Amazon, Barnes and Noble, and your local independent bookseller. And this month only, you can get the e-book for just $14.99!

 

sampling the ‘seeing the better city’ December photo display

Why attend a photo expo about seeing the elements of urban space? Because it’s a simple way to help navigate urban change, and find ways to improve your city, town or neighborhood.

During the month of December, ten photographs from my pending book, Seeing the Better City, will be on display at Cafe Verite/Cupcake Royale in Seattle’s Madrona neighborhood, at 1101 34th Ave.  A kickoff event will take place on Saturday, December 3, from 4:00-6:00 p.m.

The photographs—largely drawn from the several “urban diary excerpts” throughout the book—will illustrate the roles that personal observation plays in understanding and improving our urban environments.

The following four photographs provide an overview of the photo display and related book topics.  They hint at the close to 100 photographs and the many historical and modern tools and techniques addressed in the book.

Does such imagery show us the cities we want to see?
Does such imagery show us the cities we want to see?

Consider how a patient immersion is necessary to understand a place, from the Introduction
Consider how a patient immersion is necessary to understand a place, from the Introduction

Carefully observe the role of human activity in an ordered built environment, from Chapter 4
Carefully observe the role of human activity in an ordered built environment, from Chapter 4

How to show juxtapositions of people and place through an urban diary, from Chapters 3 and 4
How to compile human connections to place through an urban diary, from Chapters 3 and 4

Images composed by the author Paris and Seattle. © 2009-2016 myurbanist. All Rights Reserved. Do not copy.

For more on using urban observation as a tool to affect change, Seeing the Better City will be available by early 2017 from Island Press, through local booksellers, and Amazon.