how to derive place capital from the overlapping dimensions of an urban view

Third in the new series, in the urban world, juxtapositions matter

UrbJuxta3_ChuckWolfe

There are some moments in a city where the built environment—so much a focus of day-to-day urban affairs—dwarfs in comparison to the overlapping dimensions of other arenas.

In the photograph above, intensity of experience results from the components of boats atop the marine environment and the interaction of weather conditions and a mountain viewable from the city.

Such scenes are at the core of cities ranked for their beauty, or for their proximity to recreation and natural surroundings.

Taking notice of the juxtapositions of this photograph is to embrace the assets of a place. Value lies in the overlaps and blending that create an inspirational experience, not just in each element itself.

Image composed by the author in Seattle. Click on the image for more detail. © 2009-2014 myurbanistAll Rights Reserved. Do not copy.

For more information on the role of personal experience in understanding the changing city, see Urbanism Without Effortan e-book from Island Press.

how attention to overlays enhances our understanding of cities

Second in the new series, in the urban world, juxtapositions matter

UrbJuxta2_ChuckWolfe

On New Year’s Day, I suggested that juxtapositions, or overlays, are key to an understanding of cities, and offer focal points for discussion and resolution. The first example was of a physical juxtaposition that evoked the classic contrasts of old and new, nature and the built environment and natural and artificial light.

Today’s example bridges other urban qualities.

The photograph above is an intentional contrast of a static place and movements of both bus and musician. It also shows the common incursion of simple commerce in a public place—a subject of evolving regulatory focus in American cities—and an overlap that we should approach with a catalog of such imagery in mind.

Finally, the photograph suggests once again that the core of urban understanding is often in the small vignettes we all experience everyday—which, as I have often written, supply the basis for our own perspectives about city life.

Image composed by the author in Seattle. Click on the image for more detail. © 2009-2014 myurbanistAll Rights Reserved. Do not copy.

For more information on the role of personal experience in understanding the changing city, see Urbanism Without Effortan e-book from Island Press.

in the urban world, juxtapositions matter

First in a new series. Next installment appears here

UrbJuxta1_ChuckWolfe

The photograph above is an early evening rendition of an urban mixed-use project underway, next to an abandoned house.

Nearby streetlights highlight the shadows of branches against both new and old construction. This is an urban juxtaposition of the physical variety, that overlays new and old, trees and houses and natural and artificial light.

I have thought a lot about such juxtapositions on New Year’s Day, and why they are points of context, focus and catalysts for today’s urban issues and debates.

These overlays align us towards discussion of sudden and gradual change, generational differences, public and private preferences, merger of cultures and business types, and mixing of land uses, transportation modes, and housing approaches. They are more than transitions, but focal points for who decides the urban agenda and who gets versus who pays. Accordingly, they drive urban politics and professional services—and we should know how to recognize and work with them.

Consider a handbook of urban juxtaposition types and associated guidance, from case studies to typologies to regulatory reform.

But first, we need to read the city to see where the juxtapositions are. As the photograph shows, they are often in plain sight, in familiar patterns of overlap and/or interdisciplinary layers. Look at a juxtaposition—and see confronting dilemmas, flashpoints and ripples in time—all of which are recognizable in the faces, spaces and places of everyday life.

In such imagery we can predict policy debates, neighbor opposition, conflicts of parent and child in a way that can inspire dialogue, a search for consensus, or outright conflict and confusion.

In the weeks that follow, you’ll see examples and further discussion as part of an ongoing series. For now, it’s a tease, with a vernacular photograph to think about and consider. Stay tuned for more.

Image composed by the author in Seattle. Click on the image for more detail. © 2009-2014 myurbanistAll Rights Reserved. Do not copy.

For more information on the role of personal experience in understanding the changing city, see Urbanism Without Effortan e-book from Island Press.

commentary: the urban stage of election day in Seattle

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It’s 11th hour politics  in my hometown of Seattle. This year, incumbent Mayor Mike McGinn—who some call the most progressive mayor in America—has faced an election challenge focused more on provocative, pluralist style than the issues themselves.  In general, our mayor’s race has been local in focus, without ample attention to how McGinn reflects, if not leads, the trend lines of changing cities everywhere.

A case-in-point comes from this morning’s Seattle Times editorial, a regional piece about the role of policing and mental health reform in perceptions of street safety downtown.

In the quixotic headline: “Street disorder makes downtown Seattle feel like a mansion with dry rot”. The editorial proceeds in support of the challenger, state Senator Ed Murray, and without full regard to the world-stage idea of what Seattle is.

Seattle’s liberal moniker may actually predicate the iconic New York City mayor’s race, a post-Bloomberg defining moment more closely watched than our own.  At issue there is a model of governance that will predict the voting outcomes for evolving American demographics, as well as a decided tilt toward equity and the new urban populism.

Often, it takes such icons to remind us of who we are.

In a New York Times article, candidate Bill de Bliaso’s wife, Chirlane McCray, pointed to Seattle in the context of her husband’s post-Bloomberg focus, hoping to restore New York’s reputation as what she called “a progressive capital”. She showed concern that New York “has trailed behind cities like San Francisco, Seattle, even Cleveland”.

And, in the last few days, the Washington Post framed another attention-getting national story:  if McGinn loses, the article implied, one of his signature 2009 campaign issues, daylighting dark wire broadband in the City on a widespread basis. might never be realized because of Comcast’s financial support of his opponent (an implication which Murray later denied, criticizing McGinn’s implementation and not the premise itself).

I have made no secret of my belief that Seattle—once a tip-of-the-tongue “livable city”—has growing pains around the undeniable playing fields of urban change— transit, safety, education, climate change, energy sources and broadband, to name but a few.  But I prefer the creative over the Seattle Times‘ quixotic to make my point.  My well-documented focus on the “sit-able city” last month grew as much from our mayoral debates over downtown public safety concerns as it did from overseas photography and inspiration.

In Seattle, the progressive ideals already on the map are not so much at issue.  The mayor’s race has been more about the delivery of those ideals, and the challenger has really not brought new content to related discussions surrounding social justice, education, safe urban places for all or other vanguards that typically fall under the progressive flag.

As noted, it’s late in the game and we are onstage, partly because of the provocative conviction of the mayor we have.   Using sensational words, such as the “dry rot” of downtown in today’s Seattle Times editorial, does nothing to advance admiration of who we already are.

 

Image composed by the author in Seattle. Click on the image for more detail. © 2009-2013 myurbanistAll Rights Reserved. Do not copy.

For more information on the role of personal experience in understanding the changing city, see Urbanism Without Effortan e-book from Island Press.

placemaking masters, part 3

PMMasters3_ChuckWolfe

Senior placemakers ascend to the entry of  a former Roman amphitheater, providing human contrast to indigenous colors of the morning light.

Image composed by the author in Arles, France. Click on the image for more detail. © 2009-2013 myurbanistAll Rights Reserved. Do not copy.

For more information on the role of personal experience in understanding the changing city, see Urbanism Without Effortan e-book from Island Press.