layering walkable urbanism via Photoshop and Pompeii

Welcome to a new orientation towards city ruins—where Photoshop and urbanism have something in common—as shown in the accompanying image of the archaeological site of Pompeii.

First, the original photograph blends with four Photoshop “adjustment layers”, including monochrome and sepia versions of a formerly all-color background.

Second, as a result, modern visitors show a more contrasting, layered hue against an excavated Roman street scene, over 2000 years after the eruption of Mount Vesuvius in 79 A.D.

Ironically, the Photoshop and urbanist layering combine to suggest a pedestrian-oriented, narrower right of way, often championed today, centuries after Pompeii’s demise.

Amid the partially restored grid of a celebrated ruin, the human scale transcends time. Ancient and modern intermingle in a way that words alone cannot describe.

Image composed and manipulated in Adobe Photoshop (Version CS5) by the author. To further explore Pompeii by Google Street View, click here.

composing the urbanist calendar, 2012

The last week of the year is typically reserved for retrospective, and “best of” assessments. Yet, it can also be a time of hope, resolution, and prediction—an interlude of oracles and dreams.

Picture this about 2012—an urbanist calendar with places in mind—framed by international snapshots in time.

Each month of this urbanist calendar could echo experience, and provoke optimism through depiction of people and place.

Here is my composition, and perspective, from Seattle and beyond.

January:  Street Vending (Arusha, Tanzania)

February:  Street Watching (Matera, Italy)

March:  Street Blending (Vancouver, Canada)

April:  Life Amid the Creative Class (Gates Foundation, Seattle, USA)

May:  Urban Bicycles at Rest (Florence, Italy)

June:  Iconic Skyline (Seattle, USA)

July:  Urban Density at Work (Valetta, Malta)

August:  Transportation Choices (Nice, France)

September:  Nature in the City (Seattle, USA)

October:  Nightlife (Moscow, Idaho, USA)

November:  The Storefront at Rest (Lucera, Italy)

December:  The Laneway  (Melbourne, Australia)

All images composed by the author. Click on each image for more detail.

finding the best ways to portray city life

Media attention to urban life continues, day by day, but to my mind, characteristic rankings, photographs and metrics often need greater historical context, and more robust, real-life punctuation.

While Tahrir Square and the Occupy Movement parlay the daily urban tensions of democracy and authority, cities remain focal points of celebration, as demonstrated in Robert Kunzig’s latest city-as-solution retrospective and accompanying imagery in the December 2011 National Geographic.

Kunzig’s article is, in fact, closer to the holistic focus called for above. By using Ebenezer Howard’s “large and lingering impact” as a foil, Kunzig contrasts the zeal of economist Edward Glaeser, the perspectives of David Owen, as well as a mini-history of sprawl and South Korean density. His approach recalls journalist-turned-urban authority Grady Clay’s treatment of Howard’s Garden City ideals (and largely misplaced American implementation) in a famous 1959 Horizon Magazine article, “Metropolis Regained”.

Two years ago, while granting Clay its Athena Award, the Congress for the New Urbanism brought renewed attention to Clay’s article—as early documentation of back to the city principles.

Clay’s 1959 conclusion still holds:

All these ideas of the New Urbanists spring from their conviction that the city can be saved, but not by denying its nature. The city, they believe, generates innumerable devices for ameliorating the human lot, and we would do well to study these—even where at first glance they look disorderly and disreputable—before abandoning them. Cities have been around too long for our generation to desert them so precipitously. As that admirable humanist Leon Battista Alberti put it in his Deiciarchia, “The necessary things are those without which you cannot well pursue life. And as we see, man, from his emergence into this light to his last end, has always found it necessary to turn to others for help. But then cities were created for no other reason than for men to live together in comfort and contentment.”

Kudos to Kunzig for his artful use of Howard’s life-long quest for a livable urbanism; especially in the context of my memories of Clay’s writings.

But the Kunzig article invites more.

Like Clay’s observations in his later writings (e.g., the “Vantages” chapter in Close Up: How to Read the American City), in the last few months, I have pondered how best to further communicate urban preferences amid a changing landscape. As shown by both Kunzig and Clay, history can supplement two forms of documentation: straightforward photography with authentic, and ordinary personal experience.

To put this into practice, why not develop a simple test to measure a city (over and above complex rankings or metrics) that takes advantage of history, imagery and experience, including daily life? I offer, in short form, an emphasis on a creative reference, an icon and the hope to stay, as follows, and invite others to offer their own criteria.

The value of a creative reference. The founding story of a city is often an influential basis for prominence and evolution. The most famous founding stories derive from creation myths, such as that of Rome. Romulus and Remus, fathered by Mars, the God of War, abandoned at birth on the Tiber River by a threatened king, rescued by a wolf, and raised by shepherds—Romulus becomes ruler after prevailing in the “duel of the titans”.

In my measure, good lore is essential to a successful city.

The helpful role of a visible icon. Among the most photographed and touted elements of a city is a central place or object that can become a focal point for distinction and pride. Once religious or military in nature, modern cities display several exemplary civic monuments or places for ready reference of implied success.

Perhaps the most famous is the Eiffel Tower, which acts as a symbol of Paris in the opening photograph, above.

Most particularly, a compilation of completed statements about “why I hope to stay” can offer qualitative input on livability. For example: “I hope to keep living here because I feel like I can walk safely to where I need to go.”

These answers would not be uniform—some may champion transit, bicycles, parks and open space, good schools or night life—but the “why” question probes at the “comfort and contentment” referenced by Clay in “Metropolis Regained”, or Kunzig’s conclusion.

After saying goodbye to his interviewee, British planning academic Peter Hall, Kunzig explains:

With that he disappeared into the Underground for his ride home, leaving me on the crowded sidewalk with a great gift: a few hours to kill in London. Even Ebenezer Howard would have understood the feeling, at least as a young man. When he returned after a few years in the U.S.—he’d flopped as a homesteading farmer in Nebraska—he was jazzed by his native city. Just riding an omnibus, he later wrote, gave him a pleasantly visceral jolt: “A strange ecstatic feeling at such times often possessed me … The crowded streets—the signs of wealth and prosperity—the bustle—the very confusion and disorder appealed to me, and I was filled with delight.”

The key point: Kunzig, in National Geographic shows how as popular writing on urban topics matures, we move closer to meaningful issue statements about urban life. A narrative once the province of “specialists”, such as Clay, is now mainstream.

But with just a few more questions and answers of the sort proposed here, removed observation is more likely to result in practical understanding of urban solutions and success.

All images composed by the author. Click on each image for more detail.

resetting urban land use: what’s next?

Whether centered on “reset” or “recession”, there is no shortage of provocative summaries about the game-changing new economy. As a legal practitioner who also writes about cities, I find the most value in comprehensive efforts gleaned from on-the-ground intelligence of urban trends—those parlayed by clients on a daily basis.

Today’s post continues as an exclusive entry on The Atlantic Cities. For the remainder, click here.

Photograph composed by the author.

documenting people and place, by fives

In 2007, I began an organized effort to document cities, towns and villages in a systematic way, with attention to how people blend with place. Almost five years later, I have amassed a work in progress, comprising a collection of thousands of photographs from around the world.

Recently, I reviewed all of the assembled images with the following goal: Provide five summary photographs of everyday life from five continents over the five years since the effort began, and write a paragraph about each one.

Today, after considerable review, five such photographs and descriptions appear below.
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Australia. The irony of a livable, transit-conscious city was clear in Melbourne. In the refashioned urban core of Federation Square, passers-by admired none other than a fast car. There are always exceptions to the best of urbanism.


Asia/Middle East. Streets often tell stories for the ages. On Jerusalem Day in 2010, Israeli security forces cordoned off residential streets in the Old City. The 43rd anniversary of the Six Day War showed the inherent complexity of one of history’s most disputed places.


North America. What once were drive-ins are now for walking. In Seattle, the iconic Dick’s Drive-In Restaurant showed continued vitality earlier this year in the trendy Capitol Hill neighborhood.  In this part of the city, car access to fast food is trending away.


Europe. In Nice, the famous Promenade d’Anglais showed multimodal splendor, with bicycles and pedestrians protected between cars and the shore. With Blue Beach in the background, the motion symbolizes vibrant city life amid the palms.


Africa. In Tanzania’s Ngorongoro Conservation Area, a Masai village recalled the basics of shelter and an agrarian, mercantile way of life. Here, villagers welcome visitors with a jumping contest, surrounded by huts, color and a feeling that tradition can last forever.
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Five photographs of contrasting places are little more than brief introductions to select stories not fully told. Like my documentary effort, they are works in progress. But if nothing else, they hint at the complexities of what we try to interpret every day.

For me, I see shades of gray, open for bridging, exploration and reinterpretation in a world far less simple than it sometimes seems.

All images composed by the author.